Sailing the Forest: Selected Poems, by Robin Robertson
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Sailing the Forest: Selected Poems, by Robin Robertson
Best Ebook PDF Sailing the Forest: Selected Poems, by Robin Robertson
A selection of poems spanning the career of a poet of the uncanny Filled with haunting and visionary poems, Sailing the Forest is a selection of the finest work from an essential voice in contemporary poetry. Robin Robertson's deceptively spare and mythically charged work is beautifully brutal, ancient and immediate, and capable of instilling menace and awe into our everyday landscape. These are poems drawn in shadow, tinged with salt and blood, that disarm the reader with their precise language and dreamlike illuminations. Robertson's unique world is a place of forked storms where "Rain . . . is silence turned up high" and we can see "the hay marry the fire / and the fire walk." Through five extraordinary collections, Robertson has captured the intangible, illusory world in razor-sharp language. "The genius of this Scots poet is for finding the sensually charged moment―in a raked northern seascape, in a sexual or gustatory encounter―and depicting it in language that is simultaneously spare and ample, and reminiscent of early Heaney or Hughes" (The New Yorker). Sailing the Forest reveals a wild-hearted poet at the height of his talents.
Sailing the Forest: Selected Poems, by Robin Robertson - Amazon Sales Rank: #1145910 in Books
- Published on: 2015-10-06
- Released on: 2015-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .65" w x 5.47" l, 1.00 pounds
- Binding: Paperback
- 208 pages
Sailing the Forest: Selected Poems, by Robin Robertson Review
“Trysts abound in Sailing the Forest, the first career-spanning gathering of poems from one of the most intriguing literary voices in Scotland . . . Robertson hasn't yet crossed over into the realm of mainstream adoration that Ireland's Seamus Heaney enjoyed among American readers, but that's probably only a matter of time . . . To put it bluntly, he writes lines that you want to read again and again.” ―Jeff Gordinier, The New York Times Book Review
“Robin Robertson's Sailing the Forest is richly coloured and dense with archetypes. At nearly 200 pages, this generous selection of poems is a great introduction for anyone who believes contemporary poetry has lost its archaic power. Here are ballads, elegies, and legends that read like rites. Even if you've already discovered Robertson's dark music, this is a handsome edition to own.” ―Fiona Sampson, The Independent Books of the Year
“It was something of a relied to turn at times to Robin Robertson's Sailing the Forest: masses of emotional intelligence here, and grace abundant.” ―Richard Holloway, The Scotsman Books of the Year
“[Robertson is] prodigiously talented” ―Candia McWilliam, The Scotsman Books of the Year
“Sailing the Forest by Robin Robertson is a wonderfully generous selected poems. Great precision of language, limpid observation and a rare ability to make the narrative of the poems resonate evocatively. A ripple-effect that is remarkably profound.” ―William Boyd, The Observer (UK)
“Sailing The Forest: Selected Poems by Robin Robertson – the only words more welcome as subtitle might be All the Poems. Read it, give it, read it aloud, give it to poetry agnostics and watch them shiver, touched by the poet's tinsel, his understanding of this light and that darkness.” ―Candia McWilliam, The Herald (UK) Books of the Year
“Robin Robertson's bracing book offers a host of pleasures: rich and briny atmospheres, the burr and bristle of a fine ear, an eye restless for exact and searing detail. But the greatest of these is watching a writer come into his own, in poems increasingly compelling and large in their embrace, their dark and lustrous landscapes fully inhabited, fully haunted.” ―Mark Doty, National Book Award-winning author of Fire to Fire
“Robin Robertson is one of the finest contemporary poets, as this collection amply shows. His is a wonderful hard clear music, and the muscularity and toughness of his verse is everywhere counterpointed by a deep-lying tenderness. Sailing the Forest is a marvellously buoyant vessel.” ―John Banville, Booker Prize-winning author of The Sea
“Each poem comes to us so cleansed of excess, so concentrated and perfectly pared down to its essence we can only wonder at the adamantine sharpness of its edges.” ―Billy Collins
“Robertson is a superstar of Scottish poetry.” ―Adam Newey, The Guardian
“There's an oneiric charge and intensity to many of these poems that builds to a fabular clarity of thought, which is at once precise in its particularity and placeless. Whether in his extraordinarily fresh renderings of Ovid or his own imaginings, Robertson's lines have the luminosity of myth. The Wrecking Light is a work of extraordinary visionary power, its music bleak and beautiful, spare and unsparing. If there were justice in the world, it would win every prize going.” ―Adam Newey, The Guardian
“The poetry event of 2014 was Sailing the Forest: Selected Poems, by Robin Robertson, which affords a longer view of this supremely gifted artist. Here is passion, savagery and tenderness, all combined and all controlled within a faultless technique.” ―John Banville, Irish Times Books of the Year
About the Author Robin Robertson is from the northeast coast of Scotland. He has published five collections of poetry―most recently Hill of Doors―and has received numerous accolades, including the Petrarca Prize, the E. M. Forster Award from the American Academy of Arts and Letters, and all three Forward Prizes. In 2006 he published The Deleted World, a selection of English versions of poems by Tomas Tranströmer, and has since translated two plays by Euripides, Medea and The Bacchae.
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2 of 2 people found the following review helpful. Hearing The Forest For The Trees By MinnesotaMind Ah the SOUND!!! Robertson's poems are an aural feast unlike anything I've read in modern poetry. It was an inspiration to read a poet who gives such exquisite attention to snick and snack soul sound of every word he uses. Compiled in a book like this, the effect can actually be overwhelming at times, and I also do need to point out that there are some poems here which don't belong among the other greats. Poems like "Venery" and "Wonderland" feel like throwaways to me. This is odd in that this is a selected poems. Those made the cut at least twice now.But the gems here are worth the price of admission. Listen to a few lines from "By Clachan Bridge":I remember the girlwith the hare lipdown by Clachan Bridge,cutting up fishto see how they worked;by morning's end her nailswere black red, her handsall sequined silver..She unpuzzled rabbitsto a rickle of bones,dipped into a dormousefor the pip of its heart.She'd open everything,that girl."That's an example where Robertson's content OF the language is just as compelling as the sound of his language. But there are other times when Robertson can "get by" on auditory brilliance alone as in this stanza from "Fireworks":In the small lake, what had once been waternow was seamed with smoke,marbled and macular,dim and deep as wax,with each stick and twig like a spilled wickin the dulling hollow of the sconce:metamorphosis in the cackled pond.There's a mythic darkness to many of the poems in this collection. I came away from it feeling heightened by the grandeur of the language but heavier from the grimness of Robertson's vision. In some cases, as in the wonderful "At Roane Head," it helps to know the Celtic mythology with which Robertson is playing. That poem in particular is enjoyable and has merit on its own. But when I did a little research to learn it was a take on the Celtic myth of the Selkie (creatures which swim as seals but become human on land by shedding their skins), the poem obviously took on a different feel. The poem ends with the line "Then she gave me the sealskin, and I put it on." This obviously means something VERY different once you're aware of the myth. This left me feeling a little distant from Robertson. I am positive there are lots of other allusions I'm not getting. Many are no doubt due to my ignorance of certain mythologies; but at my age I also trust myself as a reader and I'm distanced a little by Robertson's disregard for his reader's comfort. Some poets meet us where we are. Some have us travel to them for the fortune of standing in their glow. The best meet us. Robertson is not necessarily part of the middle group, but he's related. But then he writes lines like these from "1964" and I'm silent:On the floor of the butcher's,blood has rolled through the sawdustand become round and soft.We found the blood-budsin corners as the shop was closing, and gatheredthe biggest ones in handkerchiefs to take themto the woods, break them open for their jelly.
1 of 1 people found the following review helpful. startling images and fine lyricism. I feel as though I made a ... By Pat Moore Exceptional lyricism, startling images and fine lyricism. I feel as though I made a great discovery and wonder what other very fine poets I will encounter. Robertson's poems have motivated me to look for others like him. These poems seem to indicate he is certainly in the same level as Heaney, and exceeds him in visionary depth.
1 of 1 people found the following review helpful. Life lived and reported in stark honesty. By J. Lindsley I am not a critic: that stated, I will say that this book of poetry can knock you over with the honesty and force of a Scottish life lived at the fullest.it is powerful and moving....but not for everyone.... like none other I know of.
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