The Betrothed, by Alessandro Manzoni
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The Betrothed, by Alessandro Manzoni
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Set in northern Italy in 1628, during the terrible, oppressive years under Spanish rule, it is sometimes seen as a veiled attack on Austria, which controlled the region at the time the novel was written. It is also noted for the extraordinary description of the plague that struck Milan around 1630.
The Betrothed, by Alessandro Manzoni- Amazon Sales Rank: #100781 in eBooks
- Published on: 2015-06-10
- Released on: 2015-06-10
- Format: Kindle eBook
Review “This is not just a book; it offers consolation to the whole of humanity.” —Giuseppe Verdi “[Manzoni is] the only Italian literary figure whom his countrymen consider worthy of being mentioned in the same breath as Dante . . . It is almost impossible to accept this book as a first novel. Through the virtuosity with which its creator deploys and refines his raw materials, the story of Renzo and Lucia . . . consistently transcends its considerable potential for sentimentality . . . The mélange of tones, styles and methods within the book makes the experience of reading it one of the most rewarding—and simultaneously most challenging—in nineteenth-century fiction.”—from the Introduction by Jonathan Keates
Language Notes Text: English, Italian (translation)
About the Author Alessandro Manzoni (7 March 1785 – 22 May 1873) was an Italian poet and novelist. He is famous for the novel The Betrothed (orig. Italian: I Promessi Sposi) (1840), generally ranked among the masterpieces of world literature. The novel is also a symbol of the Italian Risorgimento, both for its patriotic message and because it was a fundamental milestone in the development of the modern, unified Italian language.
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179 of 182 people found the following review helpful. One of the very greatest historical novels ever written By Robert Moore Allesandro Manzoni's THE BETROTHED is rightfully considered one of the great novels in Italian history, if not the greatest. It is also one of the greatest historical novels ever written. Manzoni magnificently blends together a score of memorable characters with a string of vividly rendered historical events to provide an epic story of frustrated lovers in Italy during the Thirty Years Wars in the early 17th century when the state of Milan was occupied by the Spanish Habsburgs. The result is a great story placed against the background of a turbulent period in Italian history. The choice of that period of time is fascinating in itself. Instead of dealing with one of the more glorious periods of Italian history, such as the 15th or 16th centuries, Manzoni chose the relatively undistinguished 17th, during a time when much of Italy suffered under foreign rule, while many of the other city states were in a period of decline.Few novels that I know deal with historical topics as magnificently as this one. One has to go to a writer like Tolstoy to find scenes as memorable as the tremendous scene in the Lazaretto in which Fra Cristoforo admonishes Renzo for his desire for revenge, with thousands of people dying of the plague surrounding them. Nearly as powerful is Manzoni's masterful depiction of the bread riots in Milan or the way he describes the progress of the German army in its passage through the region on its way to Mantua. Although one hardly reads the novel for the history lessons it provides, one learns an unusually large amount.I am a bit perplexed as the criticism that the novel contains too much in the way of Christian redemption in the latter part of the novel. Of course it does. As much as an historical novel, THE BETROTHED is a religious novel, in which Manzoni in his own way tries to justify the ways of God to men. If one compares the novel to the historical works of someone like Hugo or other French historical novelists, one will be struck by the sharp divergence in the depiction of the Church and the clergy. In France, an anti-clericalism characterizes many or most of the novels. Manzoni is much more balanced. Some of his religious figures, such as the Nun of Moanza or the Lecco parish priest, are either ridiculous or treacherous, but by and large the great heroes in his book are either monks (Fra Cristoforo), clerics (the Cardinal), or converts (the Unnamed). The theme of the novel is a religious one: "All things work together for good for those that love God." Given the central theme of the novel, the religious themes are not an unwanted accretion, added on arbitrarily by an author otherwise summoning up a tremendous yarn, but integral to the novel as a whole. To dampen or eliminate the religious themes would have been to make it into another novel entirely.Most of all, THE BETROTHED is just a flat out great story. Separated lovers, devious villains, mysterious figures: who wouldn't fall for all this? Manzoni is a masterful storyteller, and frequently one is left with a powerful impatience to know what is going to happen next. Anyone looking for a great novel could hardly hope to do better than this great masterpiece.
83 of 84 people found the following review helpful. A Masterpiece of Historical Fiction By PazzoPerAmore Twenty years ago I went through a graduate program in Comparative Literature and read literally thousands of novels, plays, poems, etc. Of all that I read then, The Betrothed (I Promessi Sposi) is one of the few works that stand out. Scott, Hugo, and other novelists were familiar, but Manzoni was a new name to me then. He has become a favorite companion in the ensuing years. I am currently reading this novel for the 7th or 8th time (lost count). Written with compassion and humor, Manzoni offers an enthralling story of a peasant couple swept up in the political, social and religious turmoil of early 17th century Italy. There are many subplots involving characters of every rank and station, all vividly portrayed. What brings me back to this novel repeatedly are: 1) the author's masterful handling of plot--everything fits and flows (super)naturally; and 2) his ability to capture the beauty, wonder and horror of life in eloquent and moving prose. It is a mystery why this novel is not better known in the U.S.
46 of 48 people found the following review helpful. Simply great By A Customer This is the most famous book in Italian literature. Most students hate it, but their opinion just doesn't count because for them it is but brutal forced reading. Manzoni's "The Betrothed" can be enjoyed on various levels. In the first place, it is packed with action: there's the good guy, the imperiled damsel, the arch-villain, the saintly friar and various comic characters like the cowardly priest and his spinster-servant. The plot is tipically Nineteenth Century: the loving couple can't get married because the arch-villain gets in their way and starts all the tribulations. On the other hand, the whole plot can be seen as a religious parable (and that is why students hate this book: they are forced to see the whole matter from this point of view ONLY.) on Providence. Thirdly, the book can be seen as an authoritative historical text about the Sixteenth Century. Unlike his colleague Walter Scott, whose Middle Ages look like a Hollywood movie starring Liz Taylor, Manzoni wrote "The Betrothed" after a serious hystorical reserach: almost every episode is historically based and he made use of Sixteenth-century chronicles and laws as a basis for his story's context. On top of this, the characters aren't mere literary creations. They are alive and pop out of every page as living creatures with all their humanity. Everything in them denounces Manzoni as a keen observer of the human heart. I highly recommend this book. Buy it and enjoy it!
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